Cipollino Ondulato earns its name. Where most marbles draw the eye to a single vein, this one moves in long, parallel bands — charcoal, graphite, smoke gray, and a quiet dusty-rose drift — that ripple across the slab like wind on water. The pattern is unusually horizontal and directional, which makes layout a real decision: bookmatched, the rose passages mirror into soft pools; run sequentially, the bands keep marching.

Finished honed, the surface is matte and dry to the eye — no glare to fight the movement, no wet-look saturation pulling the rose toward pink. The grays stay cool and the white veining reads as paper-white filament rather than glassy highlight. It's the quieter of the two finish options and the one that lets the pattern do the talking.

Antolini, 2cm, 69" × 121" — fresh on the floor at Royal Stone. Calcareous and acid-reactive; best specified for vertical features, vanities, fireplace surrounds, and feature walls rather than working kitchens. Worth walking the yard to plan the band direction before cutting.