Cristallo isn’t one stone — it’s a family. White, champagne, rosa, cobalt, jade, emerald, two-tone. Antolini organizes them as a collection, and we carry the working depth of it on the floor in Los Angeles. This is the field guide: what each type looks like, when designers reach for it, and where to find the slab in the yard.
A Note on the Family
No. 001
A Cristallo is a quartzite whose silica has recrystallized cleanly enough that, in passages, the slab reads as translucent. Lit from behind, the field glows. Read in daylight, the same slab quiets down and behaves like any considered natural stone.
That single property — controlled translucency — is what defines the collection. Every type below shares it. What changes is colour, vein language, and how the crystals are arranged. The white lots are nearly clear; the cobalt and jade lots carry true mineral saturation; the Roots and Brut lots add drawing and warmth. No engineered material reproduces any of them.
All of these are stocked at the Royal Stone yard in Los Angeles. We pull and backlight on request — a fifteen-minute appointment in the yard saves a week of debate on a fabrication call.
Trying to choose between Cristallo and the other premium white quartzite on the floor? Read the deep side-by-side: Taj Mahal vs Cristallo Quartzite.
01 · The White Cristallos
The purest end of the family. Crystalline white-cream fields, the closest the stone comes to clean ice. These are the Cristallos designers reach for when the architecture is doing the talking and the stone should hum, not speak.
Honed · 75″ × 125″ · 2cm
Luminous white-cream field, soft gold and gray veining, matte honed surface.
Selected-grade Cristallo Bianco in a honed finish — the working-counter answer when a client wants the Cristallo language without polished glare. The honed surface quiets the crystals so the veining reads as drawing, not glass.
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Polished · 76″ × 117″ · 2cm
Crystalline white field with soft amber drift — fully translucent under backlight.
A Lumix-grade Bianco: the cleaner side of the white family, with just enough amber movement to register as natural stone rather than engineered material. The lot designers ask for when they want a backlit island that reads as ice with a heartbeat.
See the slab02 · Warm Cristallos
Ivory drifts into champagne, gold rutile needles, copper hairlines, blush. The warm side of the family — quieter under daylight, deeply alive under tungsten or candlelight.
Polished · 69″ × 125″ · 2cm
Ivory-champagne field, honey veining, glass-like crystalline surface.
The warm Cristallo. Champagne tonality across the field with honey veining and crystal passages that catch warm light like a still pour. Pairs naturally with walnut, brushed bronze, and unlacquered brass.
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Polished · 77″ × 130″ · 2cm
Clean white-ice field threaded with gold rutile needles and faint copper hairlines.
Vitro Premium grade — the top of Antolini’s Cristallo Diamond run. The needle inclusions are real rutile, locked in during crystallization; under polish they read as gold thread cast inside glass. The lot you specify for a feature vanity or a single-slab pendant.
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Polished · 79″ × 114″ · 2cm
A true blush field with copper-orange ribbon veining — fully translucent.
The pink one. A real blush field — not painted, not staged — with copper-orange ribbon veining that pulls warmer under tungsten. Rare in this saturation; we pull it under both daylight and warm light so the room’s lighting plan can be tested before fabrication.
See the slab03 · Earth & Ink
A small family within a family. Cristallo with cocoa, charcoal, and root-like vein networks — the rarer pieces, where the translucent field reads like ink drawing on glass.
Polished · 75″ × 122″ · 2cm
Translucent crystal field laced with fine, branching root-like veins in cocoa and charcoal.
A rare Cristallo cut. The branching vein network reads as drawing ink seeping into clear quartz — fine, irregular, never repeating. Specified for a single feature: a bar back, a fireplace surround, a half-bath where the stone becomes the whole room.
See the slab04 · Saturated Color
The colored Cristallos. Cobalt, violet, jade, emerald, turquoise. These are the lots that sell themselves the moment they hit the floor — and the lots we light first when a designer walks the yard.
Polished · Zaffiro · 75″ × 123″ · 2cm
Clear white field with vivid cobalt veining — finished with Antolini’s Zaffiro treatment.
The blue Cristallo. Cobalt veining moving through a glass-clear field — the rarest color in the family. Zaffiro finishing tightens the surface so the blue holds depth rather than reading flat. We carry these in lots, not slabs; when they’re here, they’re here.
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Polished · 98″ × 59″ · 2cm
Clear white crystalline field with violet streaks and warm iron oxide threads — from Antolini’s Exclusive Collection.
The violet Cristallo. Antolini’s Trasviolet sits in the Exclusive Collection — natural quartz with a clear white crystalline base crossed by violet streaks and warm iron passages. Two registers of movement at once: a structural network of darker veins mapping the geology, and a softer lavender wash over the field. Built for theatrical backdrops and wellness rooms — bathrooms, freestanding vanity blocks, backlit walls.
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Polished · 78″ × 131″ · 2cm
Saturated turquoise-jade field with crystalline white passages floating through it.
A Patagonia-family Cristallo. Where standard Patagonia gives ink-black with cream, the Tiffany Jade lot flips to saturated turquoise — the rarest read of this quarry. The whites inside the field are true Cristallo crystals; backlit, the slab glows like sea glass.
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Polished · 80″ × 124″ · 2cm
Soft emerald-jade field threaded with violet and ivory crystal veining.
A cousin to the Tiffany Jade — softer, deeper, more emerald. The veining carries unexpected violet against ivory crystal, the kind of mineral movement only Brazilian Patagonia delivers. A library wall, a single-stone bar back, or a powder-room envelope.
See the slab05 · Two-Tone & Special Cuts
Slabs that read as two materials in one — split fields, dramatic boundaries, the kind of cut you build a single feature wall around.
Polished · Lot dimensions vary · 2cm
Split-field Cristallo — two distinct registers within a single slab, both fully translucent.
The two-tone Cristallo. Each slab carries a natural boundary line where one register of crystal meets another — a built-in horizon. Designers use Vitrum Dual where a single slab needs to do two jobs (backlit and quiet, light and shadow) inside one continuous surface.
See the slabA Note on Backlight
No. 010
Every Cristallo behaves differently under transmitted light. The slab decides — not the type name, not the spec sheet.
Two slabs from the same lot can carry different translucency maps. That’s the nature of recrystallized quartzite. The right way to specify Cristallo for a backlit application is to walk the yard, pull the candidate slab, and put light behind it before fabrication. We do that in a working bay with a portable LED panel sized to a full sheet.
For islands and vanities, we recommend testing with the actual fixture temperature your project specifies — 2700K, 3000K, and 4000K all read the stone differently, and Cristallo is sensitive enough that the wrong fixture can flatten a great slab.
Book a Cristallo Walk-ThroughContinue
Variety
Cristallo, in stock
The live Cristallo gallery — every translucent slab currently on the floor.
Variety
Taj Mahal
The other quartzite designers reach for first — calmer, warmer, more forgiving in volume.
Material
All Quartzite
The full quartzite catalogue — every slab on the yard floor, with finish, origin, and dimensions.
Program
The Antolini Program
How the Cristallo collection arrives in Los Angeles — and why we’ve been named Dealer of the Year.