Italian Ivory
Travertine.
2cm
Gauge
59×109
Inches
1 Slab
On the Floor
Italian Ivory Travertine — Vein Cut Unfilled, in Los Angeles
Italian Ivory · Unfilled
The warmest cream register.
Quarried in Tivoli, Italy, in the warm cream Ivory register of the family.
Italian Ivory Travertine pulls the warmest cream register of the Tivoli family — softer and warmer than the standard Classico Light, the slab reads as material rather than as stone. Vein-cut presents the bedding lines parallel to the surface, drawn as warm layered cream; unfilled leaves the natural voids open so the slab keeps its vugged register.
At 59″ × 109″, the slab sizes for warmer exterior cladding, library walls, primary bath compositions, and any application where the brief is unfilled and warm. Honed keeps the field matte and forgiving of wear.
The right Italian Ivory Travertine when the brief is warmth and the slab is meant to register as natural material. Pair with terracotta, oak millwork, lime plaster, a darker limestone or marble elsewhere as counterpoint.
One Finish · Vein Cut Unfilled
Vein-Cut,
to keep the natural register.
Vein-cut unfilled means the bedding lines run parallel to the surface and the natural voids stay open. Honing keeps the surface matte, the lines legible, and the warm Ivory register consistent across the slab.
The right finish for exterior cladding, library walls, primary bath compositions, and any application where unfilled Italian Ivory reads correctly.
2cm · 59″ × 109″ · Vein Cut Unfilled
Warm cream, vein-cut, natural voids
Vein-cutting presents the bedding lines as warm cream layers; unfilled keeps the natural voids open for the full vugged register. Honing keeps the surface matte and contemporary; the slab reads warm under any light.
Spec Sheet
Italian Ivory Travertine.
In detail.
- Quarry
- Tivoli, Italy
- Stone
- Italian Travertine · Ivory register · vein-cut · unfilled
- Gauge
- 2cm (3cm by special order)
- Cut
- Vein-cut across the bedding plane
- Fill
- Unfilled · voids left open
- Finish
- Honed (sandblasted and Stratos by special order)
- Application
- Exterior cladding, library walls, primary bath composition, full-height composition
- In stock
- Royal Stone · South Sepulveda Boulevard · Los Angeles
Travertine · In the Yard
Other Italian
Travertine on the floor.
Related Italian travertine slabs currently in the Royal Stone yard — Classico, Silver, Cemento, and other filled and unfilled registers.
22 slabs
Slab Arrival
1.2cm ABK Navona Bone Vein-Cut Porcelain, 3D Honed, 63" × 126"
Slab Arrival
2cm Antolini Black Label Platinum Travertine Vein Cut Leathered 66" × 110"
Slab Arrival
2cm Antolini Travertino Classico Light EE352 Stratos 67" × 101"
Slab Arrival
2cm Antolini Travertino Platinum Black Label Stratos 69" × 119"
Slab Arrival
2cm Italian Ivory Travertine Vein Cut Filled & Honed 57" × 106"
Slab Arrival
2cm Italian Silver Travertine Unfilled Vein Cut Honed 69" × 118"
Slab Arrival
2cm Italian Travertine Cross Cut Filled and Honed 72" × 110"
Slab Arrival
2cm Roman Italian Travertine — Vein Cut, Filled & Honed, 63″ × 123″
Slab Arrival
2cm Titanium Brown Travertine — Vein Cut, TEND 3D Finish, Unfilled
Slab Arrival
2cm Travertino Sandblasted Cemento Vein Cut Ivory 63" × 116"
Slab Arrival
30 Slabs Now on the Floor · 2cm Travertino Titanium Charcoal Honed and Unfilled 73" × 122"
Slab Arrival
Antolini Black Fill Travertine
Slab Arrival
Antolini Ivory Petris Travertine — Vein Cut, Unfilled, Lot 15728
Slab Arrival
Antolini Travertine Premium Fluted 65″ × 114″
Slab Arrival
Arabescato Corchia Italian Marble Slab Honed
Slab Arrival
Bianco Ivory Linear White Onyx Polished 72" × 66"
Slab Arrival
Breccia Capraia Wow Marble — Polished, Lot YG954
Slab Arrival
Fior di Pesco Carnico Marble — Matt, Lot EH821
Slab Arrival
Henraux Italian Travertine Unfilled Sandblasted 76" × 123"
Slab Arrival
Silver Travertine Ocean Blue Filled Trav Henraux
Slab Arrival
Travertino Titanium Honed and Filled
Material Study
Italian Marble in Los Angeles
Common Questions
Questions,answered.
- What is Italian Ivory Travertine?
- Italian Ivory pulls the warmest cream register of the Tivoli family — softer and warmer than Classico Light or Silver. Vein-cut presents the bedding lines as warm layered cream; unfilled keeps the natural voids open so the slab reads as natural material. The right Italian travertine for warmth without ornament.
- Where does Italian Ivory Travertine work best?
- In the room where the brief is warmth and the slab is meant to register as natural material. An exterior cladding wall, a library composed entirely of the same slab, a primary bath where the slab is the natural vugged register, an entry hall. Pair with terracotta, oak millwork, lime plaster, a darker stone elsewhere as counterpoint.
- Is Italian Ivory Travertine good for a working kitchen?
- No — unfilled travertine reads as the natural vugged register, which is right for exteriors, libraries, and application where unfilled reads correctly but wrong for working kitchens. Filled-and-honed or Stratos travertine is the right call for working kitchens.
- How is Italian Ivory Travertine different from Classico Light?
- Same quarry, different registers. Classico Light reads as classical Tivoli cream — neutral, classical, the right cream for a working kitchen. Italian Ivory pulls the warmest cream register — softer, warmer, the right register for unfilled and warmth. Pick the register that fits the brief.
- How is vein-cut unfilled different from filled-and-honed travertine?
- Both Italian travertine slabs, very different reads. Vein-cut unfilled means the bedding lines run parallel to the surface and the natural voids stay open — the slab reads as natural material. Filled-and-honed closes the voids and brings the slab to a clean matte — the slab reads as stone.
- How do I see Italian Ivory Travertine in person?
- Royal Stone is at 2303 South Sepulveda Boulevard, West Los Angeles. Designers and private clients are welcome by appointment Monday through Friday. Call (310) 477-3223 and we will pull the slab for you.
Visit the Yard
Walk Italian Ivory,
in daylight.
The warm cream register reads softer in person than in any photograph — the slab is meant to live as natural material.