Les Quatre Saisons — Four Seasons — earns its name the moment you see the full slab hung. The stone carries all four seasons in one face: ivory and bone-white fields for winter, soft blush and rose for spring, deep bordeaux and burgundy for autumn, and broad bands of sage and green-gray for summer. It is a brecciated Italian marble, angular fragments cemented into sweeping horizontal bands, and this slab reads like a landscape rather than a surface.
Honed. The matte finish keeps the color story honest — no glare, no polish-driven saturation, just the natural depth of the pinks, greens, and burgundies as they move across the slab. The honed face photographs cleanly and reads calm on a working surface, which is what designers want when the stone itself is doing this much.
“The matte finish keeps the color story honest — no glare, no polish-driven saturation, just the natural depth of the pinks, greens, and burgundies as they move across the slab.”
This slab is 2cm at 79″ × 117″ — a full-size format that can carry a feature wall, a fireplace surround, a book-matched moment, or a statement island without a seam. Slabs with this much movement are one-of-one; what you see in the photograph is the exact piece on the floor.
On the floor now at Royal Stone in Los Angeles. Designers and architects in Beverly Hills, Bel Air, Pacific Palisades, and Malibu — come walk the slab in daylight and read the bands in person. Call to arrange a viewing.
Tagged
At the yard
See the slab in motion.
In place
The stone, installed.
Reference photography of this slab — or stone from the same selection — finished and at home in completed work.
Installed rendering — a walk-in shower wrapped floor-to-ceiling in Les Quatre Saisons, the full slab movement carried across walls, bench, and floor with brushed brass fittings. 
On the floor now — the full slab standing in daylight at the Royal Stone yard. Ivory fields give way to blush, bordeaux, and sage across the face.
